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Daniel Craig Interviews in English
fanДата: Среда, 26 Авг 2015, 17:01 | Сообщение # 76
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MALE BONDING WITH DANIEL CRAIG
The actor has spent nearly a decade portraying the world’s most famous spy, but there’s a very complicated relationship between James Bond and the movie star who plays him





  • Martin McDonagh: I’m assuming you don’t care who plays Bond next…
  • Daniel Craig:  NO! 


  • But do you like playing him?
  • When I first started, they offered me a blank page, really, and what that means is I was allowed to add my own bits. I wanted there to be gags, and I wanted there to be funny bits, but I wanted them to come from a fresh place.


  • Do you get nervous doing the stunts?


  • You always get nervous a bit. There was this part where I’d fucked up my knee halfway through shooting, which curtailed a lot of the serious action stuff. I’m so fucking gung ho about wanting to do every stunt I can, I had to ask, “What can I do, and what can’t I do?” 


  • How involved do you get in the scripts?


  •  As much as I possibly can without treading on toes, although you have to offend some people sometimes to move on. I wanted desperately for Sam Mendes to do this movie, but at the time he had other commitments. I said he’s got to do it. We started something with him on the last movie, the beginning of a relationship with a director I haven’t had in a long time. Then there was that added pressure because the last movie was huge and everyone’s asking, “What are you going to do now?” We’ve got to make a better movie, that’s what we’re going to do!


  •  Does that involve making it a bigger money-making movie?


  • Not for me. The idea that we’re going to make a lot of money from these, even now, is a strange one. That’s not how I started out. If they got into a cinema, “Yay! Success!”


  • And you probably can’t put your finger on why the last one made so much more than the previous ones.


  • Hollywood would disagree, wouldn’t they? They’d say going big is how you make lots of money, but I think, How many times have you watched that fail?


  • When you start a Bond movie, do you know where you’re going to on day one: Thailand, Morocco, wherever?


  • Not definitely, no. On this one Mexico City opened up and offered to let us film there. 


  • What’s Mexico City like?


  • It ended up being one of my favorite cities I’ve ever been to, but you can get into an awful lot of trouble there. 


  • Tequila? 
  • Anything you fucking want!


  •  Let’s go now! Talking of which, in terms of bars and such, can you still do all that these days?


  • Bars are hard, but that’s more because of mobile phones. I’ll do autographs all day long, and I’ll even do a picture at the end of an evening. But if I’m being photographed all night long in a bar, that pisses me off. If you ask, I may say yes, but come up to me and say, “Would you like to take a photograph with me?” If you’re fucking sneaking photographs of me … it’s human nature, you’re sneaking something! I’m being fucked with! But people don’t see it as a problem. Maybe I’m delusional.


  •  I don’t even have a phone. I don’t want to get into all that Twitter bullshit either.


  • What, and get abused? I have no idea. I don’t go on the Internet. 


  • Obviously you were famous before the Bond thing, but is it the mobile phone stuff that’s changed everything?


  • There were phones back then, but nobody used the cameras. Or there was a rule, if someone did it, you’d be like, “What the fuck are you doing?!” My wife [Rachel Weisz] is the best in the world at all that, she’ll just turn to them and go, “No, thank you very much,” and they’re like, “OK.”


  •  Is it irritating, those things you can’t do anymore?


  • I mourn it slightly. I like to have a drink, and I love pubs and I love finding new pubs and places to socialize. But that has a limit on it now.


  • Do you feel like you’ve lost out being able to observe drunks in a bar, and so forth?


  • Yes, and that’s a danger I think, because I love playing drunks. Drunk, damaged people; it’s like, bring them on!


  • Was there a time you knew you’d be a working actor from then on?


  • I left drama school and said to myself, If I can’t make a living as an actor, I’m not going to embarrass myself for however long until the big break comes. 


  • Who are some of your heroes?


  • On a flight to New York recently, Alicia Keys and Desmond Tutu were on the plane. I didn’t go up to them. I smiled at Alicia Keys, but I couldn’t look Desmond Tutu in the eye. I wanted to go up to him and fall at his feet. It was one of those situations where I blew it completely.


  • You should have gotten out your phone.


  • Yes, while they were asleep! That happens to me so often, you wake up to a phone in your face and you go, “What the fuck!” 


  • Ooh, that’s creepy!


  • So creepy! Which I call out: “That’s fucking creepy!”


  • How do you deal with hangovers?


  • There’s this thing called Pedialyte. It’s basically a diuretic; you give it to kids who are dehydrated. If you wake up in the morning and you’ve got one of those on standby and you down the whole lot… you can carry on drinking! 


  • How did you discover that? Hanging around with a lot of babies?


  • No, Mark Wahlberg. Who I don’t know, but I was told that’s what Mark swears by. It’s the difference between life and death as far as I’m concerned. 


  • Are there directors you really want to work with?
  • Yeah, you! 


  • Me too! But do you actively seek out people to work with?


  • My wife is brilliant at that. We see a movie and the next thing you know, she’s having lunch with the director. I’m like, “How did that fucking happen?” But she just gets in touch and says, “I’d love to have a drink with you.” I don’t do enough of that; I wish I did. I really like directors, and I like talking about work.


  •  What are you going to do in the next year or two?


  • Nothing, actually. I’d like to do some theater in New York. I’ve done Broadway and I was happy with that, but I don’t want to do Broadway anymore. 


  • Why?
  • The audience is all over 50, on the whole, and I think new faces and cheaper tickets are the only way forward. And it’s never going to happen. 


  • Do you write yourself?
  • I try to rewrite scenes, but I don’t think that classifies as …


  • No, that’s called being a movie star.
  • That’s exactly right! That’s using some other writer as a platform 


  • To destroy their writing. 
  • Yeah, exactly, that’s what we’re looking at!

Источник

WRITTEN BY MARTIN MCDONAGH
PHOTOGRAPHED BY DAVID BAILEY
STYLED BY LUKE DAY
 
nattaДата: Воскресенье, 27 Сен 2015, 11:41 | Сообщение # 77
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‘I’m not strong and macho. I’m not James Bond. I don’t need any of his lifestyle': Daniel Craig on playing the billion-dollar spy


The 47-year-old actor tells Event why he gets a kick out of being a killer... and reveals the secret of his success - 'a good story and blowing things up every half an hour!'

If Daniel Craig has been great news for James Bond – his third film, Skyfall, was the first in the 53-year franchise to break the billion-dollar barrier – Bond has been equally gracious in return.
Craig earned £17 million last year and after the success of Skyfall brokered a deal to be paid £31 million for his next two 007 films, including Spectre, the 24th film in the franchise.
He’s the only British actor to make it on to the Forbes list of highest-paid stars of 2015 (he came 15th). But what attracted him to the role – aside from the money? And how happy is he playing it?
While acknowledging that Bond must be irredeemably tough, Craig has said he wanted to bring more ‘emotional depth’ to the role.
‘He’s a killer. He kills for a living,’ explains Craig, 47.
‘But it’s an honour to play him. I get such a big kick out of doing it. I had an opportunity with Casino Royale to wipe the slate clean.
'Although I’m not saying it was a rebirth of Bond – that sounds conceited – I was a huge fan of Bond before.

'But I couldn’t just do a movie where I would straighten my tie and drink a Martini. It’s all been done. It had to happen in the right way. And we’ve done that. That for me, as an actor, is so important.’
What he most admires about Bond, he says, is ‘his inner conflict. When he’s knocked down, it’s how he gets up. He takes a lot of battering and so he should, he’s an agent.
'But it’s how he stands up against adversity because he’s one against many.’
But after half a century, and five previous Bonds, why is the public still so interested in 007? Craig has a simple theory.
‘You simply stick to the old adage that a good story goes a long way. And blow s*** up every half an hour. That’s how it’s done,’ he laughs.
Of course there have been other projects in between his three Bonds, which have bolstered his movie-star status: in 2011 he played journalist Mikael Blomkvist in The Girl With The Dragon Tattoo, and the same year starred in Dream House, alongside wife Rachel Weisz.
Craig made his debut in Casino Royale in 2006, and admits he did have slight concerns about being typecast.

‘I remember saying, “If this is the last thing I do in my career, then that would be OK” because come on – it’s not that bad a role to have under your belt.
'But after Casino Royale I panicked a little about people only seeing me a certain way and I started thinking, did I need to play someone totally opposite from Bond? But as time goes on, I’ve relaxed about that attitude.’
The role meant he had to work out and tone up – not least because he does many of his own stunts. In Spectre, filming shut down after he injured himself.
‘I damaged my knee a third of the way through shooting and we shut down for two weeks while I went away for surgery,’ he says.
‘I’m all right. I’m a hell of a long way from perfect.’
The greatest misconception, he says, is that he is anything like his famous alter-ego.
‘I’m not strong and macho,’ he says, while conceding that he spends much of Spectre bare-chested.
‘It’s so funny that people have this image of me as the hard man when that’s really not me.
‘I’m not James Bond. I am genuinely not him. I don’t need any of his lifestyle. I’m just an actor, folks – it’s acting.’

He does, however, like beautiful clothes.
‘One of the perks of this gig is that I get sent nice clothes, but I’ve always liked tailoring. My grandfather was a tailor.’
He can’t see Bond married and settled with a family.
‘He’s a spy. Everyone he falls in love with dies,’ he says.

Yet women adore him because he’s dangerous.
‘It’s as simple as that.’
It’s six years since he took on the role. He’s signed for one more Bond film after Spectre, but how long can he keep going?
‘It’s getting easier because I’m doing less [stunt work],’ he says, with a laugh.
‘I’ve got so many good doubles.’
He admits, however, that Bond requires ‘I work myself to death’ to get fit.
‘It’s getting harder. But such is life. I’ll keep going as long as I’m physically able.
'I’m contracted for one more – but I’m not going to make predictions.’
He still finds it exciting to make the films.
‘These movies don’t get made very often,’ he says. ‘It’s just the fourth time for me, a spit in the ocean.
'If you don’t get excited about making a movie of this size with this cast, with Sam Mendes… then go home.’


Read more: http://www.dailymail.co.uk/home....vVZRsfI
Follow us: @MailOnline on Twitter | DailyMail on Facebook


 
nattaДата: Среда, 07 Окт 2015, 16:34 | Сообщение # 78
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Daniel Craig Time Out interview:     ‘My advice to the next James Bond? Don’t be shit!

If you want to know how James Bond – sorry, I mean Daniel Craig – starts the day, I can tell you. Two double espressos with honey. Plus poached eggs on toast. With another double espresso to follow. So basically: caffeine, more caffeine and some more caffeine, with honey to soften the blow. Craig needs all the help he can get when we meet in July: just four days ago the 47-year-old finished an epic eight-month shoot for ‘Spectre’, which saw him hopping back and forth between Pinewood Studios near London and Mexico City, Morocco, the Austrian Alps and Rome.

It’s the British actor’s fourth outing as Bond, and his second with the director Sam Mendes after the success of ‘Skyfall’ – which in 2012 took over $1,000 million globally. He thinks – thinks – ‘Spectre’ is going to be a stylish, classic Bond movie, and Craig is not an actor who talks bullshit. He’s blunt. He’s thoughtful. He’s wary of being precious. But he’s also nervous. At one point a look of horror passes over his blue eyes. ‘God, hubris is a terrible thing in this business,’ he says, checking his enthusiasm. ‘I just pray the movie is going to be great.’ So, no pressure, then. Another double espresso, please…

So you’ve just finished eight months of filming ‘Spectre’. Did it all end with a bang or a whimper?
‘It’s always a whimper. I wish movies ended and we all high-fived each other and said, “Yeah! We did good work!” But they tend to peter out. We filmed in Morocco for the week before the very end and that felt like the real end of the film. We went out there and blew shit up! We did stuff that felt like a Bond movie. It felt like a good way to finish.’

What do you most want to do when you finish such a long shoot?
‘Literally, just have a holiday. It’s fair enough, no? I just want to switch my brain off. What usually happens is it’s 6am on a Sunday and I’m bolt upright in bed thinking that I’ve got to go to work. It’s about switching that feeling off, turning the alarm off and going to sleep. I drink a lot more too. I’ve started this week. Just relaxing.’

Did you always plan to play Bond for a fourth time? It's been ten years now.
‘Well, I was contracted to do another one. That was all set up. But at the studio there was a real keenness to get it done as soon as possible. In fact, there was a conversation at one point that went: “Let’s film two movies back to back.” I just went: “You’re out of your fucking minds.” In the nicest possible way. They’re just too big.’

You described ‘Skyfall’ as ‘Bond with bells on’. So how would you describe this new Bond movie, ‘Spectre’? Same bells, different tune?
‘There you go, that’s perfect! The complicated answer, without me having to think of some clever line, is that “Skyfall” did really well and broke all sorts of records and was a massive success. Then we had to do another one – which for all of us, the director Sam Mendes included, felt incredibly daunting. What the fuck are we going to do? Once we started, we realised we couldn’t think about “Skyfall”. We had to think about this film.’

'So if that was bells on, there’s more of everything in this film. It felt completely the right thing to do. We’ve got the character of Moneypenny back, and Q, and now Ralph Fiennes is playing M, so it was, like: right, let’s get all of them into the story. Things started building from there. Everyone’s been banging on to me about the gadgets. “Where are the gadgets?” Before it hasn’t felt right, and it’s not like we’ve made this one heavily into gadgets, but we’ve snuck a lot of stuff in. So, yes, it’s got more bells!’

There was more humour in ‘Skyfall’ than in ‘Casino Royale’ or ‘Quantum of Solace’. Will that continue with ‘Spectre’?
‘The humour in “Skyfall” was conscious. I’d be lying if I said it wasn’t. I just think there’s room for it. Especially when you’ve got someone like Sam Mendes at the helm who is the truth police – and I’m the truth police too. We’re always asking: is this real? Then the humour can happen. But it’s not gag writing. They’re not the kind of movies I want to make. Really, really, really good gags are few and far between. Those writers are out there, but they’re rare. Look at people like Seth Rogen and people who make those movies, a lot of that is improvisation. They’re funny people and I’m not used to doing that sort of thing. But we’ve got people like Ben Whishaw and Rory Kinnear who are very easy with humour. But, yes, short answer: we tried to put more humour into this movie!’

Were you involved in bringing Sam Mendes back to direct?
‘Yes, I was begging him. Begging him. They offered him loads of money, of course, but I was also begging him to do it. They wanted to make the movie very quickly at first and he said he couldn’t. He just didn’t have time. He had three theatre productions he was working on. How he fucking does it I have no idea. And they were saying: we have to get moving on the script and he was, like: “No, I can’t do it.”’

Were you disappointed when it looked like he wouldn’t do it?
‘I was gutted. I felt we’d just got somewhere, me and him. “Skyfall” was very fraught. He’ll happily tell you. The two of us butted heads a lot and had lots of very passionate discussions. But we got through it. We got through his nervousness – it was his first Bond movie. He came on a set with a crew I’ve known for a number of years. We’re all fucking pals. He’s thinking: What’s the fucking dynamic here? And I’m nervous because I’ve asked him to do the film and I want him to be comfortable but I also want to push him. And we’re not just strangers, we know each other, and so we can shout at one another. It became a proper friendship on this new movie. I felt massively supported by him, in a different way. He had my back and I certainly had his.’

There were stories during this shoot that you were helping to write the script. Were they true?
‘It’s not like I sit down and write the script. Because I can’t write scripts. If I could write scripts, I’d be writing scripts, believe me. The writer John Logan came in and gave us the bones of something and then two writers came in and we worked with them and Sam. The way it works is that I’d wake up in the middle of the night with an idea and write it down and send it to Sam and he ignores me or doesn’t ignore me, or talks to me the following morning and we develop it from there. So I’m not physically writing things down.’

Playing James Bond is a lot about how you look – the clothes, the walk, the fitness. Do you ever get fed up with all that?
‘It’s a drag. The best acting is when you’re not concerned about the surface. And Bond is the opposite of that. You have to be bothered about how you’re looking. It’s a struggle. I know that how Bond wears a suit and walks into a room is important. But as an actor I don’t want to give a fuck about what I look like! So I have to play with both things. In a way that works, as that’s Bond: he looks good and he doesn’t give a fuck what you think he looks like!’

The most famous image of you as Bond is you in your blue trunks coming out of the sea in ‘Casino Royale’. How do you feel when you look at that now ten years on?
‘I don’t look at it! I don’t look at it, weeping, going “Wasn’t I beautiful!” Everything like that has been a voyage of discovery. I was aware of what was needed to be Bond but it still goes against everything I believe in. You’ve met me a couple of times, I’m not very cool. I’m not the coolest human being. I wish I was, but I’m not. And I don’t pretend to be cool. But playing James Bond, you have to be cool, and what the hell is cool? You could write a dissertation on it! That was a big accident, that particular shot. I was pretending to swim in shallow water and then I stood up and walked out of the water! I was pretending to be cool by swimming, I thought it looked stupid and stood up and I walked off – and that was the shot!’

Can we expect any similar moments in ‘Spectre’?
‘Am I getting my kit off in this movie? Yes, I’ve been working out for six months. Of course I’m getting my kit off!’

Do you ever look back and think: How the hell did I end up playing James Bond?
‘I know, it’s ludicrous, it’s ridiculous. When I first got approached, I just thought: You’ve made a mistake. I don’t know, it’s still crazy.’

What does playing Bond not allow you to do as an actor?
‘Every idea I’ve had for a Bond movie, I’ve stuck into this one. It’s gone in. The Bond bank is dry. If you’re asking me what would I do with another Bond movie? I haven’t a clue. Go into space? Let’s do it! They already did it. Let’s do it again.’

No, my question is what does Bond not allow you to do generally as an actor, beyond Bond?
‘Oh I see, Bond allows me to do anything I want to in some respects. But it’s changed my working life in an incredible way. There are more opportunities. I could do many, many things. But it takes an awful amount of time. If anything, the restriction is that it is incredibly time-consuming. That’s the restriction.’

There’s always so much expectation and talk around a new Bond film. Have you got used to the passionate fans and how much they care?

‘You can’t think about it. I don’t go on the Internet any more. I think if you’re famous, the Internet is evil. I really think that. If you’re famous, it makes you paranoid. Or it makes you more paranoid than you already are. Because if you’re famous and you go on the Internet for half an hour, you realise people are talking about you. It doesn’t matter how strong you are, some of that will make you paranoid. I just don’t do it anymore. It’s the enemy of creativity.’

Bond has a ‘special’ relationship with women. Is he a dinosaur?
‘Well I think you have to walk a thin line. I think it’s okay for him – not to be misogynistic, that’s too strong a word – to find women a little difficult, shall we say? That’s a character thing. If you start judging him completely on that, I think you’re lost. And that comes with casting. What you do is, you do your best to make the parts for the women in the movie as strong and as interesting as possible. Otherwise, I’m like: forget it. Because that world, as far as I’m concerned, doesn’t exist any more. Characters like that exist. People do think like that, so there’s the conflict. Put that in a movie. Bond still wants to have sex. I still think he wants to fuck anything with a pulse. It’s about how the women change him. That, for me, is interesting.’

Can you imagine doing another Bond movie?
‘Now? I’d rather break this glass and slash my wrists. No, not at the moment. Not at all. That’s fine. I’m over it at the moment. We’re done. All I want to do is move on.’

You want to move on from Bond for good?
‘I haven’t given it any thought. For at least a year or two, I just don’t want to think about it. I don’t know what the next step is. I’ve no idea. Not because I’m trying to be cagey. Who the fuck knows? At the moment, we’ve done it. I’m not in discussion with anybody about anything. If I did another Bond movie, it would only be for the money.’

Do you care who plays Bond after you?
‘Look, I don’t give a fuck. Good luck to them! All I care about is that if I stop doing these things we’ve left it in a good place and people pick it up and make it better. Make it better, that’s all.’

You won’t be backseat-driving then?
‘Oh Christ, no. How fucking sad would that be? “Oh look, it’s Daniel Craig, he’s on set again!” No!’

If an actor was offered Bond and came to you looking for advice, what would you say to him – or her?
‘Literally I’d say two things. Firstly, it’s your decision. Don’t listen to anybody else. Well, do listen to everybody, but you have to make the choice at the end of the day. It’s your bed to lie on. And don’t be shit! Don’t be shit. You’ve got to step up. People do not make movies like this any more. This is really rare now. So don’t be shit.’

And if someone rang you and said: 'I’ve taken the 007 gig'. What advice would you have for them?
‘Don’t be shit! Go for it. Embrace it. Some clichéd line like that. But no, just make sure you’re great. You’ve got to push yourself as far as you can. It’s worth it, it’s James Bond.’


 
nattaДата: Среда, 07 Окт 2015, 16:45 | Сообщение # 79
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Daniel Craig talks latest Bond instalment ‘Spectre’ in GQ Australia 

DANIEL Craig has been in James Bond’s suit for quite a while now. 

Spectre, his most recent turn as the famous spy, is about to hit theatres in November. But Craig says he still feels the pressure. 

“When I first started these movies I didn’t know any better — I was naive and didn’t worry about a great deal, I just got on with it,” he tells GQ Australia in its November issue. 

“As they went on, the pressure built. People thought Casino would bomb, it was a massive success and they were like, ‘What are you going to do now?’ Quantum, OK, it was difficult and a huge amount of pressure, but then Skyfall, again, ‘what are you going to do now?’ Well, we got Sam (Mendes, director) on board and it suddenly became a bit easier ...” 

Craig called on his friend Mendes for 2012’s Skyfall (the pair worked together on Road to Perdition a decade earlier) and they’ve teamed up again for the latest offering — hoping to mimic Skyfall’s success. 

The film went on to become the highest-grossing British film of all time — raking in over a billion dollars from a $283m budget. And Craig admits he can’t even comprehend that figure. 

“That’s brilliant, but then you go, ‘What the f*** is a billion dollars?’ I can’t conceive how many f***ing tickets sales that is, I could probably look it up, but I’m not going to, I’ve better things to do,” he says. 

n the franchise’s 24th instalment, Craig admits his character is working through some issues. 

“S*** happens, it’s a Bond movie, but he’s in a pretty good place,” he says. 

“What we did with Skyfall, or what Sam successfully did with Skyfall, was, in spite of the fact we had quite a sad story with the demise of M (Judi Dench), the end of the movie was sort of a beginning — we reintroduced Moneypenny (Naomie Harris) and Q (Ben Whishaw) and we have ourselves a new M in Ralph Fiennes. We sort of swept the boards and started again.” 

Whether Craig does go on remains the big question mark over Bond. And Craig says he’s unsure of his next move. 

“That’s the question isn’t it — do you leave the party early or do you stay and get p***ed on the floor? It’s a big debate and at the moment I just don’t know,” he admits. 

And given Kanye’s putting his hand up for almost anything these days, how does Craig feel about America’s potential future president taking the 007 badge? 

“Is that the new one? F*** it, yeah, get him in now,” he says. “You know Roger Moore’s also 200-1? So too David Beckham. Whatever. On the list of my priorities this is not even near the bottom.” 

The GQ November issue is on sale Monday 12 October. 

http://www.couriermail.com.au/entertainment/books/daniel-craig-talks-latest-bond-instalment-spectre-in-gq-australia/story-fnki1bz0-1227559863380


 
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